In a Field of Bone-Bonnets

Aimee Picchi

The hut shuffled to face the sunrise, a habit that pleased its old witch, and kindled the fire in its hearth for her morning tea.

The witch groaned as she wobbled from her bed and picked up a ragged note from the floor. The scrap had been slipped under the hut’s door in the middle of the night while the witch had snored in her feather bed. During the note’s delivery, the hut had remained still because the witch had told it many years ago that her customers were scared enough already and might be frightened off if a giant chicken-footed hut suddenly moved.

The witch and the hut both knew what the note would say. The messages were always the same, even if the words were different.

“Another woman needs my help.” The witch wheezed as she reached for her bag of medicines.

The ever-glowing skulls strung by the hut’s doorway clattered. You need to rest.

“My dearest hut, I must continue with my work until I can no longer. Stoke your fires at dusk. That’s when I will return.”

As she reached for her walking stick, she gave the hut’s central beam a pat.

The hut watched with worry as she limped into the woods in search of the young woman who had written the note and crept to the hut’s door in the middle of the night.

As the sun arced across the sky, the hut rotated on its chicken feet to follow the warmth. It opened its shutters and aired its insides, then closed the shutters when the afternoon air grew hot and humid.

As the sun was setting, the old woman stumped back, her breathing labored. Fatigue lined her face, and she stepped inside unsteadily.

You are too old to keep doing this, the hut clattered. (Continue Reading…)

Mist Songs of Delhi

By Sid Jain

Rajaji had listened to three songs of the deceased that morning. He couldn’t help himself. Whenever he walked past a flickering portrait floating in the air — static, sanguine, and phosphorescent — the urge to reach out and touch the cloud with his fingers was more than he could resist. The cloud portrait would unspool itself into the departed’s soul song and fill the air around Rajaji with the lilting music of their lives.

The last of those three songs had left Rajaji in a heavy stupor. The voice of the departed sang but three lines in Urdu. The translation into Hindi seized some beauty as tax, but the words thundered in Rajaji’s heart in all the seven languages he knew:

I tolerated his passing as he had taken Hindustan as his second wife,

But my hummingbird had not yet learnt to fly when you clipped her wings.

O Tyrant, what sin did I commit that you saved me for last?

They rarely told the life’s story of the subject as if they were epic poems. No, most soulsongs captured a sliver of the lives, a representative snippet that encapsulated the life and times of those lucky enough to be turned into song by the Goddesses of Raagas.

And they were lucky. Seekers made pilgrimage from around the world to the temples of music in Delhi and Ajanta and even the little one in Calcutta. Germanic Persians, Frankish Egyptians, and some even traveling over ocean and continent from the Americas, hoping — praying — that they reach the temples still alive and with stories remarkable enough to be granted the gift of eternal music. (Continue Reading…)

Kiki Hernández Beats the Devil

By Samantha Mills

Kiki Hernández, rock legend of the Southwest, had seven devils on her tail.

They scurried through the roadside scrub, not even trying to sneak. She could hear their scrabble-claws and clacker-tails, their dripping maws and teeth. If they were trying to round her up for a crossroad deal-making, they were going about it all wrong.

That’s what happened when devils got hungry. They made mistakes.

Kiki hummed as she walked, watching eddies of dust form tornadoes on the road ahead. It was a swagger of a walk, born of a perfect record: Kiki 72, Devils 0. She would have been bored, if she hadn’t been so eager for an encore.

“Come on out!” she hollered.

They tumbled forth in a gray-green tangle of many-jointed limbs, an acrid smell preceding them: sulphur and grave dirt and candy apples stuffed with razorblades. Their voices tangled like a nest of snakes: Are you hungry? Are you thirsty? Are you vengeful? Are you sad?

For a moment she felt it—the thirst like three weeks eating salted pork, the grief that could only end in retaliation—and then Kiki popped open her molded-plastic carrying case and pulled out her guitar: Mona Lisa. (Continue Reading…)

Slipping the Leash

Dan Micklethwaite

It is 1958, and Aloysius Proctor has survived a war, and survived the clap, and he is married to Delilah, with whom he has fathered two beautiful children, both of them sons, and he is the second-ranked salesman in the premier automobile showroom in town, and he should be happy with life, shouldn’t he, or at the very least content. He should have put this behind him; buried it deep with his friends from the Corps.

You’re thirty-five, for Chrissake! — what his daddy had told him. You’ve got to grow the hell up! You’ve got to be a good family man, just like I’ve done.

The belt-buckle scar tissue burns Louie’s torso, scorches his forearms, singes his back. The shrapnel scars too, on his upper right thigh. He tries not to laugh. He tries not to cry. Tries not to think that he should have stayed home, and spent time with his kids just to prove that he loves them. Shouldn’t be toting this battered black case, with the scratch-marks tattooed on the stainless steel clasps.

Shouldn’t.

Should not. (Continue Reading…)

Ink, and Breath, and Spring

by Frances Rowat

The wheelbarrow thumped a jolt into Palwick’s arms with every third step as he led Mattish back to where he’d found the corpse, out in the northern reaches of the garden. The trees waved dimly at them under the grey sky, and the thin morning light crept across the rolling ground with its whispering carpet of dead grass. Out in the north of the garden, the wind never really stopped.

Mattish had sent for a page when Palwick told her about the corpse, and had scarcely said anything since. She certainly hadn’t offered to take the wheelbarrow for a little while.

The flat silver sun had cleared the trees and eastern wall by the time they reached the corpse. Palwick had found it on the ground, gloveless and naked. He’d wrapped it in his overcoat and set it upright against the bayberry bushes before going to find Mattish; he’d never dealt with a corpse before, but couldn’t stomach the indecency of letting it lie there.

Three birds squabbled in the air above it; two crows and something paler. As Palwick and Mattish approached, the smaller of the crows darted off, shedding a feather. The pale bird shrieked after it, a flat sound in the wet morning.

The corpse was a man who might have been a little taller than Palwick himself, but waxen and crisp as a rose petal. Its left hand was missing, and it had an oddly unremarkable smell, like laundry and a rasher of raw bacon. The skin left on it — Palwick’s coat hid the raw wound covering its back — had withered a little from the cold. He guessed it had been there a week or more, even if nothing had been at it yet.

Mattish glared at the corpse for a minute. When it failed to apologize and leave, she reached for its remaining hand. The joints were stiff, but she wrenched it palm up and examined it.

“Well,” she said after a moment, dropping the hand. “He’s soft-handed; unless he’s from inside, or new staff from somewhere else in the gardens, he must have come over the wall. The page’ll know.”

She started working the corpse free of the bayberries, glancing up as the birds wheeling overhead screamed again. Palwick stepped up to help. The bayberries smelled bitter and bright, and the thorns bit at his gloves. Their branches were pliant and strong, snagging the sleeves of his overcoat. “Might be easier to pull him out,” he offered after a moment. “You really think he came over the wall? With one hand?”

Mattish shrugged, pulling the bayberries free and keeping them away from the corpse with her elbow as she worked. She had thinner gloves than Palwick’s, but tough ones; the fingers were pieced and tanned leather, and she ignored the pricking thorns. “He might have been wearing more when he got in,” she said. “It’s still winter. If he snuck in and tried to hide in the garden, the cold might have taken him.”

Palwick nodded. Cold wet wind wouldn’t kill as fast as a winter storm, but it would cluster blood around your gut and heart and leave you stunned and sweating. Then you’d do something stupid, like strip from the heat, and then there was nothing left but to pray you were found sooner rather than later.

He’d found the corpse later, that was all.

Still. “I didn’t find his clothes.” (Continue Reading…)

The Night Bazaar for Women Becoming Reptiles

By Rachael K. Jones

In the desert, all the footprints lead into Oasis, and none lead out again. They come for water, and once they find it, no one returns to the endless sand. The city is a prison with bars of thirst and heat.

Outside the gates the reptiles roam: asps and cobras, great lazing skinks, tortoises who lie down to doze in the heat. Where they go as they pad and swish and claw their way through the sand, no one knows, save the women who look over the walls and feel the deep itching pressure in their bones, the weight of skin in need of sloughing. (Continue Reading…)

Our Chymical Séance

By Tony Pi

To thoroughly inspect the spacious Silverbirch Room before the séance would take more time than we had, but I did what I could. No clockwork cheats lay hidden between the wall of books and the arched windows, and no mystical runes had been etched onto the crystals of the chandelier or cut into the fossil calygreyhound skeleton on display on the mantelpiece. All that remained was the grand salon harmonium, also the most troublesome. Madame Skilling could have hidden a charlatan’s trick anywhere among the instrument’s countless parts, from its mahogany upper casework to the hundreds of pipes at its heart.

Cesar De Bruin rolled the key to the room between his palms as he stood watch, peering through the slightly ajar door. “Anything yet, Tremaine?” he asked. “Too many so-called spirit mediums have preyed upon my family’s grief, but they were charlatans with parlour tricks, all. I would rid myself of this one quickly as well. We haven’t got much time.”

I couldn’t fault my friend’s dander. His only son Poul had shot himself with a palmcannon last summer, a year to the day. Cesar had this lounge closed to the guests at Château Banffshyre ever since. Had his wife not insisted on the séance, he would have been content to leave the Silverbirch Room sealed. “Laroux said he’d stall her, and he will. He’s nothing if not resourceful.”

“Let’s hope. This Skilling woman’s convinced my wife that her ‘chymical’ method will not fail to contact the other side. I know too little of alchemy to prove her and her Ektoptikon device false, and Fay will not see sense. Have you nothing?”

“In all likelihood Madame Skilling hasn’t breached this room, Cesar, judging by the dust.” I gave the lion’s-head handle on my new walking stick a quarter-turn clockwise, revealing a clever compartment in the shaft beneath the collar. Freed from its cherrywood cocoon, the foxfire-in-amber within shone brightly from its silver setting. I ran the illumination along the pedal keys, but they showed no signs of tampering. (Continue Reading…)

Though She Be But Little

By C.S.E. Cooney

Emma Anne had a tin can attached by a string to her belt. Lots of things on strings bounced and banged from it: some useful (like the pocket knife), some decorative (a length of red ribbon longer than herself, looped up), some that simply seemed interesting enough to warrant a permanent yo-yoing to her person (a silver hand bell, a long blue plume, the cameo of an elephant head wearing a Victorian bonnet).

“Emma Anne’s Heavy Weight Stacked Plate Championship Wrestling Belt,” Captain Howard called it. Captain Howard often capitalized the first letters of words she spoke out loud.

The belt was leather and embossed bronze, like a python wrapped twice about Emma Anne’s torso. It had appeared along with Captious and Bumptious the night the sky turned silver. So had the tin can. They were all part of Emma Anne’s endowments. (“Endowments” was the pirate word for objects or traits materializing Post-Argentum. “Post-Argentum,” another phrase of their design. Pirates had words for everything. But pirates were liars.)

Emma Anne hadn’t known how to use any of her endowments at first. Nothing was obvious until it was.

She brought the tin can up to her mouth and spoke into its cavity as clearly as she could. Endowments obeyed intent.

“Emma Anne to Margaret Howard. Come in please, Captain Howard.”

Captain Margaret Howard, Way Pirate of Route 1, did not deal in tin cans. What she had was her parrot, George Sand. George Sand got reception.

“Rrrawk,” Emma Anne’s tin can blatted back at her. “Whaddya want?”

“What do you want, over,” Emma Anne corrected.

She wouldn’t have corrected Captain Howard to her face, but George Sand never failed to get on Emma’s nerves.

“Rrrawk! Take it and rrawk yourself,” said George Sand. “Over.”

There was a pause while Emma Anne’s chest tightened.

The tin can blatted: “Cap’n Howard makes her apologies for her rude bird, over. Please continue, kid, over.”

She took a deep breath and decided not, after all, to cry.

“Captain, I’ve had a second visitation. It’s the Loping Man for sure. I think he’s coming for me tonight. Can you please meet me at Potter Hill preserve? He’s been showing up around eight o’ clock, so if you could come before that, I’d be really . . . But I understand if you’ll be out, out . . .”

Emma Anne knew the word she wanted to say, or knew that she had known it not too long ago. It dissolved at the back of her throat like a Vitamin C tablet. Left a tang.

George Sand provided.

“Carousing!” it squawked. “Roistering. Wassailing. Possibly pillaging. Pirate Banquet tonight up at The Grill. Starts at seven. Mandatory.” Another pause, wherein (Emma Anne surmised) Captain Howard related something to her parrot even it would not repeat. “Er . . . over.”

“Bye,” said Emma Anne in a much smaller voice. She let the tin can fall. It bonged hollowly against her knee.

Captious sighed. “Well. That went about the way we thought.” (Continue Reading…)

We Are the Flower

By Claire Humphrey

I didn’t clue in until I saw the ghost bike chained to a signpost on Adelaide, near a corner. I was stopped up close, and I looked down and the angles of the frame were familiar. A Cannondale CAAD 5, just like mine. You could even see flashes of the same red and yellow logo underneath the white spray paint.

It’s, like, a pretty iconic bike, and you see them around a lot. So nothing too weird, right? Only then I noticed the luggage tag dangling from the handlebar. The neon green stood out against the white spray paint, and where you’d write the address someone had written, in silver marker, MISS YOU, MC.

Which is my name, or at least what I’m called.

I paused there a moment, one shoe clipped in, the other out and braced on the curb, then I looked at the rest of the bike again and saw, under the paint, the shape of my Trogdor sticker on the top tube.

Just like the one on the top tube of the red and yellow CAAD 5 I was currently riding.

Got to say, it shook me. I knew in my feelings even though I didn’t quite know in my mind. So what did I do?

Well, honestly, I turned into a bird. (Continue Reading…)

A Sharp Breath of Birds

By Tina Connolly

You are two on the day you see your first personal bird. It is the sort of thing you barely remember later, at six, seven, twenty. And yet you cling to it as your first memory: a sleek black penguin waddling through your nursery, it in black, you in white lace, mended and re-mended because you will not stop pulling off the threads to suck. You remember, later, a surprising softness to its feathers. You remember that it went right on past, even though you lunged for it. Your two-year-old images end like this: dark, warm, comforting, gone.

At seven, you see the birds regularly. You incorporate them into all your pretends; there is always some princess carried off by a bird to a nest made of raven feathers and filigreed spoons and shiny bits of silvered foil. Alice from next door easily accepts all the bird imagery as a fact of life; surely everybody plays games with birds in them, and she finds you books with more; the seven sparrows, and the dove maiden, and the nightingale at sea. Sometimes the princess is rescued by Alice, or Alice by the princess, and sometimes both girls rescue themselves, and sometimes nobody rescues anybody and they settle down as gainfully employed bird-bandits and bring more spoons and candlesticks and hand mirrors to the nest until your mother puts a stop to that and the bandits have to put all the things back.

At twelve you swear to keep playing princess-bandits forever, swear it under a double moon with a flock of geese flying past.

At fifteen you, drunk, try to remind her of this. (Continue Reading…)