‘Til Death

by C. J. Lavigne

My dear Clarinda,

They tell me that when you heard of my wedding, you shattered a goblet, fell to the floor in a swooning fit, and did not arise for three days. I hear that the entirety of the manor was wreathed in black. Really, darling, it seems a bit much. I’m fine.

I know it’s not the choice you would have made. If it’s any consolation . . . in the moment when I found myself there, caught between the noble prince and the eternal night, I did think of you. It was all very dramatic, Jordan standing there in a shaft of brilliant light, his hand outstretched, begging me to leave Gareth’s side. I was glad he’d thought to break the window boards, or that whole scene would have been significantly bloodier; I could feel Gareth, pressed against my back, and his fingers were gentle on my shoulder but his teeth were bared.

Your voice was there, I promise. I heard you say think of the sunlight and death is what gives life meaning and he has loved you since childhood and, yes, all of it was true. So please don’t feel guilty; don’t think “if I’d only been there” or “she was confused” or “I could have changed her mind.” I wasn’t confused. You didn’t change my mind. But I know you, and I knew you would have tried.

We are very different people, you and I.

I hope, though, that we can still be friends. I assure you, I retain all of our life’s affections, and I wish you only the best. I won’t visit; Gareth tells me it will take time before the bloodlust abates, and I do not wish to frighten or harm you. But write back! Just give the parchment to a spider, or a bat — leave it on the windowsill, if you like. They will know it’s for me.

All my heart,

D.

(Continue Reading…)

The Bones Beneath

by Vanessa Fogg

Four years ago, the bones began pushing up from the earth. Fay is now seventeen, and she feels the bones’ movements more strongly each year. It’s the end of winter, but not yet the beginning of spring. Snowmelt has turned the fields to mud, and the grass is dead and brown. The trees still bare, the air still chill. Mist in the morning, or her own breath white as frost.

She wakes in the darkness, dresses, and combs her hair. She puts the tea kettle on the stove, heats bread on the griddle beside it. Her father has already left for his job in the local government’s accounting office. Her mother lies abed late. Like many, Fay’s mother suffers spells of sleeplessness and dizziness at this time of year, and headaches that make her cover her eyes.

Fay leaves a bit of bread on a plate for her little brother when he wakes. She closes the front door behind her.

The bare field is on the outskirts of town, several miles away. But she can still feel it as she walks to school. She feels the movement of buried bones there, the remains of the little creatures of the earth — mice, voles, and moles. Things that once saw light, and things that stayed underground, blind and digging. Hidden things, forgotten things.

Deep underneath, the earth is frozen. But it’s thawing near the surface. Fay feels the twitch and shiver of waking bones in the dirt, like the wingbeats of new birds trying to fly. (Continue Reading…)

The Gorgon’s Glass

by M.E. Bronstein

There are people who try to blame Oken’s unhappy demise on the Gorgon, but if you read Oken’s notebooks carefully (and it’s my job to read his notebooks carefully), you know that he was already dying when he first met her. In fact, that is why he sought the Gorgon out; he needed someone to craft his “monument more lasting than bronze” — i.e. a brilliant thing to preserve his memory.

In his notes, Oken often revisits his first meeting with the Gorgon:

. . . Certain denizens of the township nearest to the Gorgon’s workshop attempted to dissuade me from seeking her out. They called her a witch. It is disheartening, though hardly surprising that her style of artistic production would elicit such reactions. I ventured into the Swamp anyway, and rather enjoyed my solitary escapade into the wilderness, until I found myself caught in circles and stumbled across the same lightning-blasted yew, again and again.

Then I heard a silken rustle, and beheld, in frightening proximity, a serpent — it unfurled from a ragged hole in the moss, a faint rainbow iridescence clinging to its scales. I stepped backwards in careless haste and a rock gave way beneath my foot; I fell upon my rear, something tore, and there was the snake, a line of wriggling calligraphy some demonic hand had written into the earth. It came closer and closer, and I realized with horror that my trousers were quite firmly caught upon a bramble. I struggled and cried out —

I could not die in such a manner (so many intelligent medical men had already foretold another end for me, and how impolite to contradict them!).

And then — the artist herself.

A slight creature with flyaway black-and-gray hair and a grimly set jaw. She wore a ragged shawl and a basket across one shoulder.

She stared fixedly at the serpent, then drew closer, careful not to make a sound, to stir any rocks, all the while untying her shawl — which she then tossed so that it fell across the beast. It writhed, confused by the sudden surrounding weight. The Gorgon pounced upon her quarry, bundled her shawl into a knot, and tossed it into the basket lashed across her back.

To think that so wild a creature should be my object! But there are mysteries and powers beyond our understanding that often choose strange receptacles for their dearest secrets.

(Continue Reading…)