The Tonsor’s Son

by Michael John Grist

I knew from the moment I saw him that his beard was full of evil.

He walked into my shop carrying a copper-hilted cane, clopping its burnished tip smartly on the hair strewn tonsory floor with his every step. He wore camel-hide gloves with the hair turned inwards, so his hands seemed a milky mother-of-pearl white, as though agapornic. His eyes were a sharp hazel-brown, intelligent, intent upon the tonsory around him, absorbing the details, finally settling on me.

He walked flush up to me, busy as I was sweeping lopped brown locks into a scuttle, and smiled tightly, extending one of those sickeningly pale hands towards me. His thinly sliced moustache bristled as his upper lip curled back, and I knew the evil was in there too, peering out at me from each follicle end. I could feel the waft of his past deeds emanating from the light down of his cheeks.

The Yew’s Embrace

by Francesca Forrest

We could still see the old king’s blood in the cracks in the flagstones beneath the new king’s feet when he announced to us all that this was a unification, not a conquest, and that we had nothing to fear from the soldiers that fenced us round. The new king said that my sister the queen would become his wife and that he’d make the old king’s baby son his very own heir. That’s how much he loved and honored our people, he said.

A month later, on a stormy day when the rain blew in at the windows and puddled on the floor, and we were huddled round the hearth, spinning by the light of oil lamps, the king burst in, soaking wet. Eyes a-glitter, he told my sister that he had caught Lele, the wet nurse, down by the stream at the edge of the grove of the gods, drowning the baby prince.

“She said she wouldn’t permit him to grow up under my authority,” he said. “I tried to save him, but I was too late.” He held up his dripping hands. River weed clung to his arms above the elbows.

“She’ll be punished, though,” the king continued, and you could see his whole body trembling like a struck bell as he spoke. It was anger, red anger, that caused him to shake. None of us dared to move. “I’ve ordered her flayed alive in the grove of the gods. It will stand as a lesson,” he said, catching us each by eye, one by one, lingering on my sister. “No one may cross me. I will show no mercy to those who oppose me.”

Hand of God

by Erica Satifka

From the roof of his house, Andrew can see everything in the town of
Pandora. Right below is his yard of wispy yellow grass that breaks at
the touch. A little ways down is the dead creek, a stinking, mucky
place. And above him, always, is the hand of God. Briefly, he trains
his flashlight on the underside of the hand, studying the lined,
grayish flesh. Then he stares back toward the outskirts of town,
peering through his binoculars at the mushroom farmer’s trailer.

The farmer makes a drug. Andrew’s not supposed to know about the drug, and he certainly isn’t supposed to take it. But the farmer’s daughter goes to school with all the other kids, so word gets around. He must have mixed a new batch. The townspeople are lined up all the way back to the old Sunoco station, their headlamps making a broken ant trail in the ever-present dusk.

Five Bullets on the Banks of the Sadji

by Keffy R.M. Kehrli

My city is at the fork of two rivers, where the Sadji, river of my people, flows into the Koretl, a river that brings the rest of the world to us, brings empire to us, brings new spices and fabrics and magics to us, and flows away with our old selves, shed like snakeskin on the banks.

Sadji water runs thick with silt; it is the same red-brown as clay and the four unripe cocoa beans that my younger brother, Naje, brought to us from the north. Naje is dead now, dead of five bullets, one for each of the Northern Houses, the past-due payment earned by traitors.

The Koretl is a deep and sodden green, the color of glaciers tempered by the additions of a hundred southern rivers, each devoured by the hungry waters until they run as one. My older brother, Esha, said the color of it was more beautiful than the Sadji. He is also dead now, having caught a fever from the sick men he tended.

And now I am the last surviving brother, too violent to heal and too soft to fight, fishing from Sadji’s waters with my hands gone calloused from the nets.

A Hunter in Arin-Qin

by Daniel Abraham

At first, when the lights of my home still glimmered in the darkness behind me, the cold only chilled. Then, pressing through the snow with the effort of the chase keeping me warm, the cold bit.

At the end, it comforted.

It meant the worst kind of danger, but with fear itself a distant thing, even danger failed to seem dangerous. Snow cracked under my feet and caked the wool of my leggings. I wrapped my father’s hunting cloak tight about me. I walked because I could no longer run. Before me, the beast’s tracks softened under new-fallen snow, and with every moment, new flakes conspired to hide them further. The sword strapped to my back grew heavy, and I doubted my strength, even if the opportunity came. My daughter’s doom whispered with every pine branch that brushed against me. Gone.

Gone. Gone.

Slowly, the hunter within me–hard as stone and untouched by years of a different woman’s life–woke. Her eyes saw the fading edges of the beast’s track as time: two hours ahead of me, then three hours, then four. Her mind evaluated my shuffling stride and leaden hands. She tried to smile with my numbed lips; I felt her grim amusement. She knew a dead woman when she saw one.
I fell without knowing that I fell. My foot touched the snow. My knee touched it. My hip. My shoulders. The soft white filled my mouth and nose and eyes. It tasted like rain. I pressed my hands down, trying to rise, and the earth passed through my fingers like fog.

Iron-Eyes and the Watered Down World

by Saladin Ahmed

Zok Ironeyes stared at the tilecard table before him and cursed softly as Hai Hai clacked down the Dragoness tile with a gloating grunt.

Hai Hai looked up from the table and locked her shiny black eyes on the innkeeper, her nose and whiskers twitching. The scraggle-haired, red faced fool avoided Hai Hai’s gaze with the shame of a man who’d been caught staring. Zok couldn’t fault the innkeeper’s curiosity. The man had probably seen only a handful of rabbitmen in his life, for few of Hai Hai’s people ever made it this far south. But if the proprietor of the preposterously-named King’s Crest Inn didn’t watch himself, he was like to get his nose broken at least. Hai Hai wasn’t one to indulge untraveled bumpkins’ gawking.

Insect Joy

by Caspian Gray

The crickets started screaming after Luis came back from the war. Theirs was the lowest form of communication; they did not so much exchange ideas as alternate between different ways of expressing alarm. When Amy noticed they were out of water gel and took their bowl to refill it, they screamed. When she sprinkled calcium powder on their food, they screamed. When she cleaned the tiny bodies of their dead brethren out of the cage, they screamed.

It was tiresome.

Outside, now that each night brought frost, the world was quiet. There were the last dying flutters of cecropia moths, blown along the sidewalk like dead leaves. The swarms of ladybugs were already burrowed deep into schools and churches and people’s homes, where occasionally she heard them chirring to each other. She’d met a single dragonfly, perhaps the last one of November, perched in the sun on her front door, but that dragonfly was too tired or too old to speak.

Only the feeder crickets at the store were still trying to express their mangled lives.

Wane

by Elizabeth Bear

Garrett lowered her gaze from the beaten-copper diameter of a rising moon to regard the soft-eyed wampyr beside her. The dark fabric of his sleeve lay smooth under her fingertips. A breeze still tasting of winter ruffled the forensic sorcerer’s carefully arranged hair and shifted the jewels in her earlobes. “Thank you for coming, Sebastien.”

“On the contrary, Abby Irene,” the Great Detective murmured through lips that barely moved. “What man could refuse your company of an evening?” A lifted eyebrow made the double entendre express. The moonlight lay like a rush of blood across his cheeks, making Don Sebastien de Ulloa look almost alive. “Was this the face that launched a thousand ships/ And burnt the topless towers of Ilium?”

“Perhaps in my youth.”

“To a connoisseur, value increases with time.”

She permitted herself an unladylike snort.

The Axiom of Choice

by David W. Goldman

The three of you have lingered outside the darkened club an hour beyond the show’s end. Your palms rest atop your guitar case, which stands vertical before you on the cracked sidewalk. Standing not quite as vertical, Paul steadies himself by pressing a hand against the club’s brick wall, just below a photocopied poster bearing an image of his face looking very serious. (DYNAMIC SINGER-SONGWRITER PAUL MURONI! says the poster. Your name appears lower down, in smaller type.) One corner of the poster has come loose. It flips back and forth in the unseasonably warm gusts that blow down the narrow street.

“But really,” says the guy, some old friend of Paul’s whose name you’ve already forgotten, “why should you two spend tomorrow driving way up the coast for one damn gig, and then all the way back the next day? I’ll fly you there tonight in my Cessna — tomorrow you can sleep in as long as you like.” His arms sweep broad arcs when he speaks, the streetlamp across the road glinting off the near-empty bottle in his grip.

Paul rubs the back of his hand against his forehead, the way he always does when he’s tired. You’re both tired, three weeks into a tour of what seem like the smallest clubs in the most out-of-the-way towns along the twistiest roads in New England.

Paul looks at you, his eyes a bit blurry. “What do you think?” There’s a blur to his voice, too. “I’m in no condition for decisions.”