Who in Mortal Chains
by Claire Humphrey
I almost had friends in 1965.
Ryder was a brewer in those days, when brewing was a thing no one much cared to do. He was well loved among a circle of twenty or so, every one with a lost art. Mylene was a weaver; Tom worked leather; Eskil kept bees. Up on the mountain, Andy ran a print shop, with a hundred fonts of lead type, sorted by letter into a hundred wooden trays. Clifton made images with light: albumen prints, salt prints, silver negatives on glass.
I suppose I could have taught someone the art of the bayonet, or the language of signal-flags, but I was mostly just hanging around getting drunk with them. It was almost like hanging around people my own age, except that everyone my age is an asshole.
I did teach Ryder how to bake bannock over coals. We ate his first attempt with some of Eskil’s honey, and mugs of beer pulled from the cask. Clifton took a daguerreotype of all of us seated on blankets under the arbutus tree behind Ryder’s house.
He made copies for everyone, but I wrecked mine, of course.
The only thing I’ve managed to keep from that time is a rough forging from the shop of Jason the blacksmith. Steel, and therefore tempered against my temper. Jason would have made it a blade, but I told him I’d only end up cutting someone.
The rough forging sits now on the windowsill in my kitchen, half a continent away and four decades later. The window itself has been replaced by an ill-fitting piece of Plexiglas held in place with duct tape. The things I break, I cannot always fix.
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