Wane

by Elizabeth Bear

Garrett lowered her gaze from the beaten-copper diameter of a rising moon to regard the soft-eyed wampyr beside her. The dark fabric of his sleeve lay smooth under her fingertips. A breeze still tasting of winter ruffled the forensic sorcerer’s carefully arranged hair and shifted the jewels in her earlobes. “Thank you for coming, Sebastien.”

“On the contrary, Abby Irene,” the Great Detective murmured through lips that barely moved. “What man could refuse your company of an evening?” A lifted eyebrow made the double entendre express. The moonlight lay like a rush of blood across his cheeks, making Don Sebastien de Ulloa look almost alive. “Was this the face that launched a thousand ships/ And burnt the topless towers of Ilium?”

“Perhaps in my youth.”

“To a connoisseur, value increases with time.”

She permitted herself an unladylike snort.

The Axiom of Choice

by David W. Goldman

The three of you have lingered outside the darkened club an hour beyond the show’s end. Your palms rest atop your guitar case, which stands vertical before you on the cracked sidewalk. Standing not quite as vertical, Paul steadies himself by pressing a hand against the club’s brick wall, just below a photocopied poster bearing an image of his face looking very serious. (DYNAMIC SINGER-SONGWRITER PAUL MURONI! says the poster. Your name appears lower down, in smaller type.) One corner of the poster has come loose. It flips back and forth in the unseasonably warm gusts that blow down the narrow street.

“But really,” says the guy, some old friend of Paul’s whose name you’ve already forgotten, “why should you two spend tomorrow driving way up the coast for one damn gig, and then all the way back the next day? I’ll fly you there tonight in my Cessna — tomorrow you can sleep in as long as you like.” His arms sweep broad arcs when he speaks, the streetlamp across the road glinting off the near-empty bottle in his grip.

Paul rubs the back of his hand against his forehead, the way he always does when he’s tired. You’re both tired, three weeks into a tour of what seem like the smallest clubs in the most out-of-the-way towns along the twistiest roads in New England.

Paul looks at you, his eyes a bit blurry. “What do you think?” There’s a blur to his voice, too. “I’m in no condition for decisions.”

Sittin’ Round the Stewpot

by Patricia Russo

This is a true real story, granda said, stirring the mush that we were gonna have to eat that night, and the next night, and the next too, probably.  He coughed for a full minute, then finally spit out a plug of gunk.  He scuffed his mess into the dirt.  This is a true real story, not like the shit you hear from them liars down by Blue Street.  He looked at me when he said shit.  I just looked back at him.  Stupid old man still thought I was a boy.  This is a story about the old days, he went on.  The ancestor time.  Do you know what ancestor means?  I sighed and took the spoon away from him and started stirring the mush myself, because the old man was like to let it burn.  Granda, I said, I’m the one that reads you them old storybooks, when you say you can’t find your good glasses.  He said, this is about the old days, when we had dogs.

(Continue Reading…)

Lila the Werewolf

by Peter S. Beagle

Farrell went to a movie with a friend, and to the West End afterward for beer. Then he walked home alone under the full moon, which was red and yellow. He reheated the morning coffee, played a record, read through a week-old “News of the Week in Review” section of the Sunday Times, and finally took Grunewald up to the roof for the night, as he always did. The dog had been accustomed to sleep in the same bed with his mistress, and the point was not negotiable. Grunewald mooed and scrabbled and butted all the way, but Farrell pushed him out among the looming chimneys and ventilators and slammed the door. Then he came back downstairs and went to bed.

He slept very badly. Grunewald’s baying woke him twice; and there was something else that brought him half out of bed, thirsty and lonely, with his sinuses full and the night swaying like a curtain as the figures of his dream scurried offstage. Grunewald seemed to have gone off the air — perhaps it was the silence that had awakened him. Whatever the reason, he never really got back to sleep.

He was lying on his back, watching a chair with his clothes on it becoming a chair again, when the wolf came in through the open window. It landed lightly in the middle of the room and stood there for a moment, breathing quickly, with its ears back. There was blood on the wolf’s teeth and tongue, and blood on its chest.

Farrell, whose true gift was for acceptance, especially in the morning, accepted the idea that there was a wolf in his bedroom and lay quite still, closing his eyes as the grim, black-lipped head swung towards him. Having once worked at a zoo, he was able to recognize the beast as a Central European subspecies: smaller and lighter-boned than the northern timber wolf variety, lacking the thick, ruffy mane at the shoulders and having a more pointed nose and ears. His own pedantry always delighted him, even at the worst moments.

Fable From a Cage

by Tim Pratt

Let me tell you a little fable, a story I crafted while sitting inside this dangling cage, where the rooks shit on me and steal my bread all day, and the smoke from your town fires stings my eyes all night.

Did you know the owls feed me? They bring me rats, mice, squirrels, and I eat them. That’s why I haven’t died yet. I’ll never die, not here, wait all you like.

My fable? Yes. Oh, yes. It will, most assuredly, have a moral. Hunker down and listen for it, boys.