The Resurrectionist

by J.P. Sullivan

“Yes, I can bring your wife back from the dead,” I told the farmer, who had reasonable doubts about my abilities. “Just realize that it might not be what she wants.”

“She wants to see her children again,” he said. He’d told me his name, but I’d forgotten it.  Honestly, it’s better that way. He had a smith’s build, muscle on muscle, more beard than chin. I could tell at a glance he’d never had a crooked thought in his life. People like that are awfully hard to negotiate with. Thankfully, I have flat rates.

“She signed the consent form?” The local chapel smelled like soot and incense. They hadn’t cremated her. That triples the fee and gives me a dreadful headache besides.

“I know I’m asking for a miracle,” the farmer said. “You can really do it for ten crowns sovereign?”

It’s not a miracle, I might have said. It’s a clever utilization of certain natural laws, an inversion of a subtle current and a trick played on God. Miracles assume His blessing, this process having none of it. But you start throwing around a word like ‘resurrection,’ and people get all kinds of ideas. “Did you bring the form, or not?”

He produced it. And there it was, in hill-country chicken scratch, her name on the appropriate lines. There’s a correct way of doing everything. Why should reanimation be any different?

I said the words, laid the hooks and lines and rock salt circles. Not all of that’s important, but the ceremony is part of the service. Like a funeral, it’s for the living.

The church was empty of clergy. They couldn’t have run off too long ago; one of the fires was still lit. Every rider on the hill looked like a foreign raid, with the war on. For all I knew, they hid from me.

“I don’t like this,” said the farmer.

“Don’t worry,” I said, hands at the dead woman’s brow. “I don’t like it either.”

Then I was in the elsewhere. (Continue Reading…)

Life in Stone, Glass, and Plastic

by José Pablo Iriarte

Cleaning up graffiti was an everyday job for Sergio, pero esto . . . Could you even call this graffiti? Graffiti normally was spray-painted. Wait — that wasn’t true. Indoor graffiti typically was done in permanent marker. Or gouged into wooden surfaces with pocket knives or keys, so the only way to remove some gang symbol or racist slur or throbbing penis was by sanding it down.

Come to think of it, if anybody was an expert, he was.

And he’d never heard of mosaic graffiti.

But there it was, on the side of the Westchester Building. Marbles, reading glasses, fichas de Monopolio, a key, all cemented onto the crumbling old plaster, maybe eight feet across. Only when he took a step back could he see it formed the shape of a woman and her two kids, carrying suitcases away from a house while a grim police officer stood by with his arms crossed. Probably not the image the tenant behind that wall — AAAfordable Lending, Inc. — would want to be associated with. (Continue Reading…)

Temptation

By Karuna Riazi

“We must not look at goblin men,

We must not buy their fruits:

Who knows upon what soil they fed

Their hungry thirsty roots?” 

— Christina Rossetti, “Goblin Market”

When was the last time food glided over her tongue?

It was funny how Kayla couldn’t even remember what it was she ate.

Was it a quick jaunt to a local fast food joint — a juicy burger or a chicken gyro that was left half-eaten and balled up in sauce-stained foil in the back of the refrigerator?

Had her mother tried to coax her into eating a meal one last time before she walked out the door, shouldering her bag, impatient, sure she was late?

(Late to what? To meet who?

Even that, she couldn’t be sure of, but that didn’t matter as much.) (Continue Reading…)

When Leopard’s-Bane Came to the Door of Third Heaven

By Vajra Chandrasekera

We stand at attention all day at the top of the green tower. L and I stand on either side of the door to the third nonsensual heaven. The rifle is heavy and I develop a lean as the day wears on, until L hisses at me from the far side of the door and I straighten up, my back creaking and popping. I’m a sloppy guard because I’m new, ink still fresh on the lottery ticket. When you’re always new at everything, you never get a chance to get good.

L hasn’t been a guard much longer than me, but she always says she doesn’t want to get good. She says you can’t pry the world open if you don’t have a kink in you. She says how come the lottery is supposed to be so fair but princes always win a king’s ticket when it’s time? She says a lot of things like that and if I say we haven’t been a monarchy in two hundred years or whatever, she’ll say I’m being obtuse. Then we arm-wrestle for it. She usually wins those, but only just. (Continue Reading…)