A Spot of Bother, High Above the Undead Sea

by Kris Dikeman

Bits and pieces of passengers and crew lay in untidy heaps along the deck. Picking my way through the remains of the unfortunate purser, I stepped to the railing. The setting sun threw the airship’s shadow across the water. Amid the rolling waves, the mermaids kept pace with us, gliding effortlessly in a perfect Q-formation.

“Regard,” I said to the gore-spattered robot, hoping to distract him from his murderous frenzy. “The zombie mermaids of the Undead Sea. The dirigible’s shape triggers the decayed synapses of their putrefied brains, awakening memories of the briny dill pickles they craved in life.”

The Wages of Salt

by Deborah Kalin

Squatting to examine a buried shadow, I nodded. There was no academic or scientific value in salt — it would not advance my thesis, nor bring any glimmer of knowledge about the theriomorphs — but it would sell. White gold, the economic cornerstone of New Persia.

I brushed at the crust. Dirty grains clung to the sweat of my palms. The shadow underneath, too clean-edged to be a phantasm, didn’t change. “Here,” I said. “Help me.”

“It’ll just be another ammonite.” But he knelt and set to scraping beside me.

My fingers touched cloth.

I jerked back, staring at the dark linen we’d uncovered. Suspicion lifted the hairs on my nape and I dug faster, harder, in danger of damaging the specimen with haste.

An arm emerged from the salt. Beside me, Hareem had uncovered a knee. Working feverishly now, we followed the contours, salt flying from our fingers, until the entire body lay bare to the sky.

Hareem let out a low whistle. “Now this,” he said, “will fetch a fiefdom.”

Monstrous Embrace

by Rachel Swirsky

I am ugliness in body and bone, breath and heartbeat. I am muddy rocks and jagged scars snaking across salt-sown fields. I am insect larvae wriggling inside the great dead beasts into which they were born. Too, I am the hanks of dead flesh rotting. I am the ungrateful child’s sneer, the plague sore bursting, the swing of shadow beneath the gallows rope. Ugliness is my hands, my feet, my fingernails. Ugliness is my gaze, boring into you like a worm into rotting fruit.

Listen to me, my prince. Tomorrow, when dawn breaks and you stand in the chapel accepting your late father’s crown, your fate will be set. Do nothing and you will be dead by sundown. Your kingdom will be laid waste, its remnants preserved only in the bellies of carrion birds.

There is another option. Marry me.

The Somnambulist

by David J. Schwartz

The somnambulist brakes at the intersection of two suburban streets–Ivy Something Lane, Something Creek Road.  Her headlights illuminate the 2 A.M. silence.  She leans over to open the passenger side door and her husband, in the body of a grey squirrel, jumps in.  He’s been gone twelve days, in a double-door trap, in a coma, trekking across astral space and chemically treated lawns.  Earlier today his human body died.  The somnambulist cried herself to sleep; salt tracks have dried upon her face.

She pulls the door shut and sits up.  The squirrel-husband hops over to her, his tail arcing after him like an echo.  He climbs the arm of her teddy bear pajamas and perches upon her shoulder.

The somnambulist–her name is Judy when she’s awake–has been married for ten years.  Her husband calls himself a trader, and this is perhaps the best description of what he does, but he has been called other things; magician, sorcerer, devil.  Within the profession these terms have little meaning.  He traffics in power, which is more or less what Judy has always believed.

“The hospital,” says the squirrel-husband.  At least, she hears a voice, and the squirrel is the source.  The somnambulist turns towards the highway.