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PodCastle 628: Vincent’s Penny

Show Notes

Rated PG.


Vincent’s Penny

By Chris Barnham 

May 1941

I’m a child this time. Five or six years old.

Fully clothed under a bed, on a wooden floor. I touch a hand to my throat, but there is nothing there. I examine my hands and arms, astonished by the smoothness of the skin. At last, I crawl out from beneath the bed and leave the room.

Light from a jagged hole in the roof, blue sky beyond, streaked with horsetails of cloud.  The floor is dusted with splinters of wood and brick. The window at the end of the hall has daggers of glass clinging to the frame.

Over the banister, more rubble and destruction below. Some of the stairs are broken, but I pick my way downstairs, helped by the fact that I am so light now, in this child’s frame. I could skip across a field of grass and barely disturb the dew. There is a door at the foot of the stairs. I turn the handle and push, but at first it does not move. Maybe the wall has shifted in the raid. I try again, ramming my tiny shoulder against the wood.

The door releases its grip and tumbles me outside.    (Continue Reading…)

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PodCastle 627: We Are the Flower

Show Notes

Rated PG-13. Includes copious F-bombs.


We Are the Flower

By Claire Humphrey

I didn’t clue in until I saw the ghost bike chained to a signpost on Adelaide, near a corner. I was stopped up close, and I looked down and the angles of the frame were familiar. A Cannondale CAAD 5, just like mine. You could even see flashes of the same red and yellow logo underneath the white spray paint.

It’s, like, a pretty iconic bike, and you see them around a lot. So nothing too weird, right? Only then I noticed the luggage tag dangling from the handlebar. The neon green stood out against the white spray paint, and where you’d write the address someone had written, in silver marker, MISS YOU, MC.

Which is my name, or at least what I’m called.

I paused there a moment, one shoe clipped in, the other out and braced on the curb, then I looked at the rest of the bike again and saw, under the paint, the shape of my Trogdor sticker on the top tube.

Just like the one on the top tube of the red and yellow CAAD 5 I was currently riding.

Got to say, it shook me. I knew in my feelings even though I didn’t quite know in my mind. So what did I do?

Well, honestly, I turned into a bird. (Continue Reading…)

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PodCastle 626: DOUBLE FEATURE! A Sharp Breath of Birds; A Guide to Birds by Song (After Death)

Show Notes

Rated PG-13.

“A Sharp Breath of Birds” is a companion piece to Laura Christensen’s artwork “Swan Dive.”


A Sharp Breath of Birds

By Tina Connolly

You are two on the day you see your first personal bird. It is the sort of thing you barely remember later, at six, seven, twenty. And yet you cling to it as your first memory: a sleek black penguin waddling through your nursery, it in black, you in white lace, mended and re-mended because you will not stop pulling off the threads to suck. You remember, later, a surprising softness to its feathers. You remember that it went right on past, even though you lunged for it. Your two-year-old images end like this: dark, warm, comforting, gone.

At seven, you see the birds regularly. You incorporate them into all your pretends; there is always some princess carried off by a bird to a nest made of raven feathers and filigreed spoons and shiny bits of silvered foil. Alice from next door easily accepts all the bird imagery as a fact of life; surely everybody plays games with birds in them, and she finds you books with more; the seven sparrows, and the dove maiden, and the nightingale at sea. Sometimes the princess is rescued by Alice, or Alice by the princess, and sometimes both girls rescue themselves, and sometimes nobody rescues anybody and they settle down as gainfully employed bird-bandits and bring more spoons and candlesticks and hand mirrors to the nest until your mother puts a stop to that and the bandits have to put all the things back.

At twelve you swear to keep playing princess-bandits forever, swear it under a double moon with a flock of geese flying past.

At fifteen you, drunk, try to remind her of this. (Continue Reading…)

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PodCastle 625: Salt and Iron

Show Notes

Rated R.


Salt and Iron

By Gem Isherwood

There’s a gash across her cheekbone, glass in her arm and her lower lip is twice the size it should be, but Dagna Müller is hardly a stranger to pain.

She slumps on the steps outside the tavern, feeling her nose to check if it’s broken again. Without sensation in her fingertips it’s hard to tell. She can’t bring herself to care much either way.

Her muscles ache from the weight as well as the fight: a dull hurt that courses along her shoulders and down her arms, turning to a chafing burn where the skin of her wrists meets the solid metal of her hands.

That pain never fades. At least the injuries provide some variety.

The tavern stands on the seafront, where barques and schooners are berthed like horses stabled for the night. The tide is low and the air reeks worse than an undine’s armpit; between that and the cheap gin in her belly it takes all of Dagna’s willpower not to retch.

Six months ago, she wouldn’t have lost a fight. If she hadn’t drunk herself halfway into oblivion she could have knocked all three of them out inside of a minute. Or at least noticed the bastards were cheating before they’d taken every last coin in her purse.

“Here,” a voice says from above her. “You’re a damn poor advertisement for my business.”

She looks up to see the landlord – an old mariner, face wrinkled from the sun and sea air – offering her an almost-clean rag. She takes it and dabs at her bloody face.

“I’ll pay for the damage,” she says, busted lip muffling the words.

“Oh yeah? With what?” He leans against the doorframe and folds his arms. “Them’s good hands for throwing a punch. Strong arms for throwing weight behind it too.”

“Four years on the merchant ships’ll do that.”

The glass splinters in her left bicep are leaking spots of blood like freckles. She’ll have to dig them out with a penknife later. It’s times like these she misses fingernails. (Continue Reading…)

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PodCastle 624: TALES FROM THE VAULTS — Crickets Sing for Naomi

Show Notes

Rated PG-13.


Crickets Sing for Naomi

By Eden Royce

“If these danggone crickets don’t stop following me,” Naomi grumbled as the insect bounded out of the path of her wedge heel. Another of the bugs scuttled across the top of her foot, its spiny legs pricking her exposed skin. Under the streetlight, moths danced in the circle of brightness on the otherwise dim road. Heat ebbed from the asphalt, making her wish she’d worn flip-flops.

For months, the insects had followed her around. At her parents’ house, one had even jumped out of  her pocketbook onto the hardwood floor. While her mother screamed and leapt onto a chair, her father had chuckled, scooped up the invader, and placed it outside.

(Continue Reading…)

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PodCastle 623: Caring For Dragons and Growing a Flower

Show Notes

Rated PG-13, for found footage and lost loves.

Author’s dedication

I dedicate this story to my grandfather and father: one who I’ve never met and one I’ve known since I was born, yet both are men in my family who have my eternal respect and admiration.


Caring for Dragons and Growing a Flower

By Allison Thai

31 October, 1974

Dear Thi,

Sleep easy tonight, darling. I’m well and alive at the barracks the Party had seized in Sóc Trăng. Because I had sided with the enemy, I expected to be shot, or be assigned to clear the mines. Instead, the commander told me that medical training is like imperial jade: a precious resource and hard to come by. It would be wasted, with a bullet to my head. So I renounced the treacherous ways of the enemy, and I was given the honor of caring for the dragons of the People’s Army. They’ll be the key to winning the war and driving out the American invaders. Every day we inch closer to victory and uniting our country. Every day I thank the Party for my spared life. I will henceforth contribute my efforts to the glory and prosperity of the Party.

How are things back home in Hà Nội? Have you been taking care of the seed I gave you on our wedding day?

Sincerely, Cương (Continue Reading…)

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PodCastle 622: Spoken For

Show Notes

Rated PG-13.


Spoken For

by Evan Kennedy

Twenty-five years after the magic came back, Auden’s wife got turned to stone.

It was the dog’s fault. A cockatrice had been wandering Harlan County for the past few weeks, ever since some damn fool two towns over let a cock’s egg hatch instead of chucking it backwards over the roof. Auden and Ellaree had dealt with a ’trice before, though, and they knew all the new-time tricks. Usually when monsters were about, they’d lock up the goats and chickens, and then stay inside with the curtains pulled ’til the beast passed them by. But this time they couldn’t find the dog, and Ellaree went back out to look for it. Auden tried to stop her, observed she didn’t have a lick of sense, risking her life for some mutt. But she grinned, told him she loved that mutt, and he didn’t know a thing about love, then she went out anyway.

She always was hammer-headed, that woman. It was what he loved about her. (Continue Reading…)

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PodCastle 621: A Salt and Sterling Tongue

Show Notes

Rated R.


A Salt and Sterling Tongue

By Emma Osborne

I found my dying boy curled up in a pile of straw wet with his blood. Seamus rolled over as I entered the barn, and I saw then that he’d chewed his fingers down to the first knuckle.

I gasped.

“I can taste my King in my wet,” he said, rocking forward, naming his lost Merling lord. Seamus could barely keep himself up on what was left of his hands and his knees. I crouched and moved closer and he fell forward onto forearms thin as sticks.

Seamus’ teeth shone through the gore that coated him from nose to navel, and he’d bitten off a few of the scales that dotted the skin of his upper arms. One was stuck to his chin with blood.

“He’s stopped singing, but I can hear him in the waves and in my blood, my lord, my king.”

My youngest boy was the one of the unlucky few who’d heard the music of the Merling King while out collecting cockles, who came home the next morning shivering and soaked and vomiting up seawater, the salt crystalising in his scant beard, newborn silver scales peeping out of his skin. (Continue Reading…)

Cats Cast

CatsCast 289: The Thing in the Basement


The Thing in the Basement

by Gerri Leen

You can hear it, in the basement, behind the metal boxes that your human puts her outer-coverings in just when they start to smell good—when the boxes are done, she brings out her things stinking of flowers or fruit. She’s lucky you know the sound of her voice, because her scent is all over the place.

You chirp to get her attention. A cat would understand the sound. “Alert! Something to hunt!”

But no. Your human is frightfully stupid. She goes on loading the boxes and turns them on. You hear the sound of water, but you can’t see it. You’d splash in it if you could. Your kind has played in water since cats first walked the earth. You’re the original longhaired breed. Your lineage was explained to you by your mother, who heard it from her mother, who heard it from hers.

“She’s a Turkish Angora,” you’ve heard your human say when she’s complimented on your silky white fur or your bright green eyes. As if she had anything to do with them? She thanks your admirers, nonetheless.

But the water perplexes you. You’ve whiled away more than a few moments down here trying to find it, so tantalizing, but right now it’s annoying you because it’s masking the sound of whatever’s down here.

You’re a mighty hunter. That’s what your human tells you, as if you need confirmation that you’re skilled at catching vermin. Doesn’t she realize this is why you stay with her? Why any of your kind do? The first cat to move in with humans was a visionary who could recognize an all-you-can-eat buffet in the granaries. A bunch of cats followed. And the rest is history.

(Continue Reading…)

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PodCastle 620: When Hope Is Lost, Touch Remains

Show Notes

Rated R for steamy friction, physical and ethical.


When Hope Is Lost, Touch Remains

By Nin Harris

Chowrasta Market was where Maria had learned to love books — upstairs in the claustrophobic crush of second-hand book stalls, where the musty smell of old paperbacks was drowned in a panoply of aromas from the market downstairs: fish, the blood of poultry, and the musk-laden spore of murdered mammals. Her bookishness was all she was able to offer the men who occasionally fell in love with her. They drowned in her literary wit and her fragile insecurities until the time when, as with all relationships, one must drift away and make an end.

Sometimes the endings were congenial.

More often than not the congeniality masked a secret pain, a gnawing loss at the realisation that another hope had been proven false. Because what are endings but a betrayal of some hope? But then again, what are endings if they are not a culmination of choices made? (Continue Reading…)