Charlemagne and Florent

By Ranylt Richildis

This is what happened to les deux bretons before I met them, back in the 70s when they were boys in Vannes. One was abandoned at nineteen months (no one knows why, or by whom), the other orphaned by a car wreck at age three. I should say he was orphaned in a car wreck, strapped to a safety seat in the car in question. The fact of the child safety seat indicates the degree of his late parents’ love for him; baby seats were indulgences in 1971. He was brought to the same agency as the foundling, where someone had the kindness to put them together in the same bassinet. Or — it might just as easily be said — someone made the mistake of placing them together.

The fair boy was registered under the unlikely name of Charlemagne Kermorgant, the dark one attached to the much less remarkable Florent Edig. Florent remembers the occasion of their meeting, just as he remembers the car wreck that erased his alternate life. He sees, when he tries, a characterless room, a lurking nurse, a dreary olive drape, and a toddler with matted white hair crawling up to peer at his eyes. A scent, one part applesauce, one part diaper. Children’s squeaks and squalls. A pain in his left leg and another on the right side of his head. A rather stunning absence, quickly filled.

Charlemagne was so named by at least one of his derelict parents. The name was inscribed on a note taped to his wrist. There was no family name, of course, so Kermorgant became his surname, as it became the surname of all the ciphers left on the steps of the eponymous hospice. An interim label, it stuck to him through to the age of majority and sticks to him still. (Continue Reading…)

River’s Giving

Heather Shaw, River Shaw, and Tim Pratt

Once upon a time, there was a boy named Alexander who lived in a village by a river in a valley in the shadow of a mountain. Every year when the days grew short and the air grew cold and the snow fell, the village would hold a celebration called River’s Giving. The festival kept spirits bright as darkness grew, and the people there looked forward to the cold of the longest night as much as they did the warmth of the longest day. At least they did until the year it all went wrong.

The young adults spent all summer tending sheep and spinning thread, and the older children spent the fall knitting long nets to string across the river. They decorated the nets with bright green sharp-edged leaves and sprigs of white and red berries that were no good for eating but beautiful for seeing. They also hung tiny bells all over the nets, and these jingled in the water, a sound that always meant joy to Alexander.

In the week before the festival, those adults who were so inclined would wield their slings and bows and stones and arrows to display their hunting prowess, or toss logs and heavy stones in shows of strength, all in friendly competition, with cheers for the winners and consolation drinks for the losers. Alexander’s mother usually came in second or third with the bow these days, after winning five straight years in a row. Some people said she was losing her touch, but Alexander’s father whispered that she just thought it was nice to let other people win sometimes. Life in the village was like that; people shared everything, even victory. (Continue Reading…)

The Deliverers of Their Country

By E. Nesbit

It all began with Effie’s getting something in her eye. It hurt very much indeed, and it felt something like a red-hot spark — only it seemed to have legs as well, and wings like a fly. Effie rubbed and cried— not real crying, but the kind your eye does all by itself without your being miserable inside your mind — and then she went to her father to have the thing in her eye taken out. Effie’s father was a doctor, so of course he knew how to take things out of eyes — he did it very cleverly with a soft paintbrush dipped in castor oil.

When he had gotten the thing out, he said: “This is very curious.” Effie had often got things in her eye before, and her father had always seemed to think it was natural — rather tiresome and naughty perhaps, but still natural. He had never before thought it curious.

Effie stood holding her handkerchief to her eye, and said: “I don’t believe it’s out.” People always say this when they have had something in their eyes.

“Oh, yes — it’s out,” said the doctor. “Here it is, on the brush. This is very interesting.”

Effie had never heard her father say that about anything that she had any share in. She said: “What?” (Continue Reading…)

Balloon Man

By Shiv Ramdas

If it hadn’t been for the camel, Mithun might never have noticed the old balloon seller at all. He almost didn’t notice the camel either. If he’d been looking for it, he probably wouldn’t have.

Like so many other parts of Northern India, Qaisarbagh Bazaar wasn’t so much a place that time forgot as much as it was a place that had forgotten time, or at the very least, had pointedly refused to acknowledge its existence. To Mithun’s left, men in pathani kurtas herded goats past cellphone towers, never looking up. To his right, vendors pushed carts piled high with sweet-smelling fruit, bright clothes and trinkets under dangling electricity lines, ignoring the half-buried cables underfoot as they called out to passers-by as a steady stream of cars, bicycles and cycle-rickshaws swerved and cursed their way down the narrow cobbled streets. All in all, it was an explosion of sights, sounds and smells, a patchwork of colour and chaos of the sort that is so much more appealing on Exotic India postcards than when experienced in the flesh. Partly because it makes a lot of things rather difficult, such as the mundane yet surprisingly useful exercise that is finding things just by looking for them.

As Mithun stood there, he found the camel staring back at him, unblinking. Then slowly, deliberately, it jerked its head sideways, at the old man with the bent back and straggly grey beard, standing there between the paan-seller with bad teeth and the cigarette-vendor shouting discounts at schoolchildren, half-hidden in the shadow of the crumbling clock-tower. And that was when Mithun noticed the balloons.

Indeed, he couldn’t help but notice them, for these were no ordinary balloons. No, they were massive, lustrous, the most wondrous balloons you ever saw. Above the spotless white Gandhi topi on the old man’s head, a beautiful blue-green globe, the earth itself, or perhaps not quite, floating right there. Beside it, much larger, the fiery citrus glow of the reluctant red of the setting sun giving way to a soothing orange. Next to that, a small one, half translucent, half black, the moon being eaten by Rahu, just like in the myths the teacher read out every Friday.

Mithun looked at his mother, but she failed to notice him, being still engrossed in the vital task of securing an extra half kilo of lentils at no additional cost. An additional half kilo that he already knew it would be his destiny to spend the evening carrying around the bazaar. He looked back at the balloons, and as he watched, one of them, an impossibly radiant five pointed star, floated heavenwards, and then exploded in a shower of iridescence, each fragment now a star in its own right. This was the first thing Mithun noticed.

The second was that he seemed to be the only person who had noticed it.

“Come here, boy.” (Continue Reading…)

Strange Waters

By Samantha Mills

Fisherwoman Mika Sandrigal was lost at sea. She knew where she was in relation to the Candorrean coastline and how to navigate back to her home city, Maelstrom. She knew the time of day. She knew the season. She knew the phase of the moon and the pattern of the tide.

She did not know the year.

Strange waters flowed beneath the hull of her fishing boat, illuminating the midnight darkness with phosphorescent swirls of yellow and green. The thick scent of pepper and brine tickled her nose, and she knew that a juggernaut swam far below, vast and merciless and consuming shield fish by the thousands.

Mika squinted up at a familiar night sky, at the Dancing Girl, the Triplets, the Mad Horse. She had fished off this coast for nearly twenty years, eight of them lost in time. She’d seen green waters, pink waters, blue. She’d been to Candorrea when it was a loose collection of fishing villages, and she’d been to Candorrea when the buildings were so tall she could hardly look at them without shaking. No matter what century she washed up in, however, the constellations were there to guide her home.

It was a windless night. Mika pulled out her oars and set course for Maelstrom, keen to find out when she had landed. (Continue Reading…)

The Bone Poet and God

by Matt Dovey

Ursula lifted her snout to look at the mountain. The meadowed foothills she stood in were dotted with poppy and primrose and cranesbill and cowslip, an explosion of color and scent in the late spring sun, the long grass tickling her paws and her hind legs; above that the forested slopes, birch and rowan and willow and alder rising into needle-pines and gray firs; above that the snowline, ice and rock and brutal winds.

And above that, at the top, God; and with God, the answer Ursula had traveled so far for: what kind of bear am I meant to be?

She shouldered her bonesack and walked on. (Continue Reading…)

Into the Wind

by Marie Brennan

The tenements presented a blank face to the border: an unbroken expanse of wall, windowless, gapless, resolutely blind to the place that used to be Oneua. Only at the edges of the tenements could one pass through, entering the quiet and sunlit strip of weeds that separated the buildings from the world their inhabitants had once called home.

Eyo stood in the weeds, an arm’s length from the border. The howling sands formed a wall in front of her, close enough to touch. They clouded the light of Oneua’s suns, until she could barely make out the nearest structure, the smooth lines of its walls eroded and broken by the incessant rasp of the sands. And yet where she stood, with her feet on the soil of Gevsilon, the air was quiet and still and damp. The line between the two was as sharp as if it had been sliced with a razor.

“I wouldn’t recommend it, kid.” (Continue Reading…)

A Place to Grow

By A. T. Greenblatt

Lillian was wearing one of her uncles’ old suits again. Her family always wore suits when they were going to tear down a world.

Trouble was that this world, unlike the dozens before it, had started to feel like home.

You don’t know that for sure, Lillian reminded herself as she strode through her dying garden, fists clenched at her side. You never had a home.

Trouble was, her uncles got bored of the worlds they built so quickly. So now the last of her daisies, tulips, and lilies surrounded her like sickly, wilting walls, praying for one last glimpse of sunlight before they died.

A useless prayer. Her uncles had dismantled the sun two days ago.

I’m not going to let them gut this world and put it on a shelf, Lillian thought as she weaved her way through the garden. Not this time. She didn’t bother picking up the hems of her pants dragging through the dirt or tucking in her arms so that her baggy sleeves didn’t catch on the yellowing leaves. She let her garden cling to her like her uncles’ hopes and plans that one day she would be like them and build worlds of her own.

Her uncles’ suits never had fit her well. (Continue Reading…)

The Griffin and the Minor Canon

By Frank Stockton

Over the great door of an old, old church which stood in a quiet town of a faraway land there was carved in stone the figure of a large griffin. The old-time sculptor had done his work with great care, but the image he had made was not a pleasant one to look at. It had a large head, with enormous open mouth and savage teeth; from its back arose great wings, armed with sharp hooks and prongs; it had stout legs in front, with projecting claws, but there were no legs behind — the body running out into a long and powerful tail, finished off at the end with a barbed point. This tail was coiled up under him, the end sticking up just back of his wings.

The sculptor, or the people who had ordered this stone figure, had evidently been very much pleased with it, for little copies of it, also of stone, had been placed here and there along the sides of the church, not very far from the ground so that people could easily look at them, and ponder on their curious forms. There were a great many other sculptures on the outside of this church — saints, martyrs, grotesque heads of men, beasts, and birds, as well as those of other creatures which cannot be named, because nobody knows exactly what they were; but none were so curious and interesting as the great griffin over the door, and the little griffins on the sides of the church. (Continue Reading…)