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PodCastle 284: The October Witch

Show Notes

Rated PG. Happy Halloween!


The October Witch

by Francesca Forrest

“Need a lift?” It’s a woman in a pickup truck, maybe Josh’s age, maybe some years older, from the lines on her face. She’s probably been driving this truck since she was fifteen and hasn’t ever left these mountains.

“I’d appreciate it. Just back to the gas station would be great.”

The woman shakes her head. “It’ll be closed by the time we get there. My husband can drop you back in town tomorrow morning—assuming he gets back home tonight; otherwise I will. I’m Audra.” She offers a hand.

“I’m Josh. Pleased to meet you. And thanks.” He climbs in the truck. Audra tells him she works in town at the supermarket and that her husband is a lineman who’s been busy these past two days, restoring power after that amazing thunderstorm (the one that washed out the road where Josh’s car now sits). When she hears that Josh is in a master’s program, studying folklore, she grins.

“Then you must’ve heard about the October witch. I’m surprised you got in the truck with me.”

“October witch? No, I think I missed that one,” says Josh, returning the grin, wondering whether Audra’s spinning a line or if this is a real folktale he’s about to hear. “I guess she comes out on Halloween? And maybe, what, grabs drivers off the road?”

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Escape Artists Needs Your Help!


from http://www.alasdairstuart.com/?p=1611EA-Metacast-Art-150x150

Thank you so much for the initial response to the problems at Escape Artists. As per several requests, this is the TL:DR version of the situation.

1. Escape Artists has a major cash problem. This has been caused by a massive increase in the amount of listeners which has not been accompanied by an increase in donations. In fact those have started to decrease. This situation is unsustainable and we will close at the end of 2013 without a major increase in subscriptions.

2. Click anywhere on this line for the 44 minute meta-cast from all three shows explaining this.

3. We need money. There are two ways to do this either by donating or subscribing. One off donations are lovely and we’re incredibly grateful. Subscriptions cost you much less and raise our base level of funds on a monthly basis. Those are going to help much more in the mid term.

4. This is Escape Pod’s Homepage. Click on the DONATE or SUBSCRIBE buttons on the right hand side.

5. This is Pseudopod’s Homepage. Click on the DONATE or SUBSCRIBE buttons on the right hand side.

6. This is the Podcastle Homepage. Click on the DONATE or SUBSCRIBE buttons on the right hand side.

7. Click here to donate via Dwolla. Our ID is 812-527-2340

I know this is inconvenient and I’m sorry. Any other link will time out to a PayPal login.

That’s it. Thanks for the help.

– See more at: http://escapepod.org/#sthash.AeyGvqPk.dpuf

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PodCastle 283: Right Turns

Show Notes

Rated PG. We guess.


Right Turns

by Tim Pratt

We talked, in our tiny apartment, with the kitchen so small we couldn’t even pass each other on the way to the refrigerator, with our pipes that howled and clanked when we tried to turn on the hot water. I’d just gotten a promotion, and though it meant less teaching and more administrative work, there was also more money coming in. The housing market was good, for buyers. There were a lot of great places to choose from, but none we liked more than the labyrinth house.

“I don’t see the downside,” my husband said, leaning against me companionably in bed. “Really, the whole thing is just more space, square footage we’re not even paying for. The labyrinth could be extra storage, even.”

“What if there are bugs? Rats?”

“Then we brick up the entrance. Looks like it’s been done before, so we can do it again.”

We bought the house. We moved in. We didn’t go into the basement often, just to do laundry, and we didn’t go into the labyrinth at all. Not at first.

I’m not sure when my husband started his explorations. I didn’t find out for a while.

There are a lot of things from those first months I don’t remember.

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PodCastle 282: The Sunshine Baron


The Sunshine Baron

by Peadar Ó Guilín

Ah, Borquil, lucky Borquil. Many the balconies of his gilded mansion: north over the spice market; east where he sipped tea at dawn; west for opium. And south? Great Borquil never looked south.

The sun shone on the Northern capital as it did every day. Borquil had seen to that. Had grown rich on it: the famous Sunshine Baron! By night, a gentle rain would patter over the fields and fill a few cisterns before sliding gently seawards on the Farg River, sweet-natured these days, ‘though its name meant “angry” in the old tongue.

“I calmed it all down,” muttered Borquil. “Me. They should be more grateful.”

The northerners had shown gratitude at first. The king loved him. Whole provinces voted him honours and over the years, as Borquil grew plump and the nightmares disturbed him less and less, aristocrats welcomed him into their homes. “A foreigner no longer!” they said amongst themselves. “He is truly one of our own!” Sure, they found it odd how he refused to travel more than a day south of the Farg river, but they too were rich enough to have ghosts they’d rather avoid. As the saying went: “no man lies in his own poop.”

But now, how inconvenient for poor Borquil! Revolution had come to the Kingdom of the North. His aristocratic friends were losing their heads in the streets outside. And the mobs had come for his blood too. The double doors leading to his courtyard splintered and buckled under a battering ram. He had perhaps an hour to live.

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EA Metacast, October 2013


An urgent update on the status of Escape Artists, its three podcasts, our plans for the future, and why we desperately need your help getting there.

EA Metacast Art

Mailing Address:
Escape Artists, Inc.
P.O. Box 83
Woodstock, GA 30188

Additional music provided by D-Form – http://www.reverbnation.com/dform.
Sound effects provided by users kasa90 (http://freesound.org/people/kasa90/) and TasmanianPower (http://freesound.org/people/TasmanianPower/) of FreeSound.org.

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PodCastle 281: The Wanderer King


The Wanderer King

by Alisa Alering

We steer clear of the mines–that’s Fixer territory. The Wanderers are dangerous, too, ever since they came fighting back around Day 30. But there’s always been less of them–less in all, and less because they scatter through the woods on their business instead of fixing to the towns and mines.

We step along to the city, fitting the crown on all we come across. We sleep in the darkest part of the day when the sky dips to dark blue. At first, in the country, there aren’t many heads to try. But we come up on the city, and we slow. We even try it on Fixers because Pansy says the King is the King and it doesn’t matter whose body he’s in. “The King is for all,” Pansy says. “Anyone can carry the King.”

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PodCastle 280: The Devil and Tom Walker

Show Notes

Rated PG


The Devil and Tom Walker

by Washington Irving

It was late in the dusk of evening that Tom Walker reached the old fort, and he paused there for a while to rest himself. Any one but he would have felt unwilling to linger in this lonely melancholy place, for the common people had a bad opinion of it from the stories handed down from the time of the Indian wars; when it was asserted that the savages held incantations here and made sacrifices to the evil spirit. Tom Walker, however, was not a man to be troubled with any fears of the kind.

He reposed himself for some time on the trunk of a fallen hemlock, listening to the boding cry of the tree toad, and delving with his walking staff into a mound of black mould at his feet. As he turned up the soil unconsciously, his staff struck against something hard. He raked it out of the vegetable mould, and lo! a cloven skull with an Indian tomahawk buried deep in it, lay before him. The rust on the weapon showed the time that had elapsed since this death blow had been given. It was a dreary memento of the fierce struggle that had taken place in this last foothold of the Indian warriors.

“Humph!” said Tom Walker, as he gave the skull a kick to shake the dirt from it.

“Let that skull alone!” said a gruff voice.

Tom lifted up his eyes and beheld a great black man, seated directly opposite him on the stump of a tree. He was exceedingly surprised, having neither seen nor heard any one approach, and he was still more perplexed on observing, as well as the gathering gloom would permit, that the stranger was neither negro nor Indian. It is true, he was dressed in a rude, half Indian garb, and had a red belt or sash swathed round his body, but his face was neither black nor copper colour, but swarthy and dingy and begrimed with soot, as if he had been accustomed to toil among fires and forges. He had a shock of coarse black hair, that stood out from his head in all directions; and bore an axe on his shoulder.

He scowled for a moment at Tom with a pair of great red eyes.

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PodCastle 279: Thorns

Show Notes

Rated PG


Thorns

by Martha Wells

We reached the landing above the Hall.  Below, Electra’s husband, Mr. John Dearing, was personally receiving a guest, a young man in the act of handing his greatcoat to the butler.

There were no guests expected, and just before the dinner hour is not considered an appropriate time for casual calls, yet Dearing was greeting this presumptuous fellow as a prodigal son.

He was a striking figure. (The guest, I mean.  Dearing is a stout bewhiskered muskrat of a man, a fit mate for Electra.)  Blond curls, broad shoulders, a chiseled profile.  I felt a feather of unease travel down my spine; old instincts rousing, perhaps.  His garments, though somewhat the worse for travel at this rainy time of year, were of fashionable cut and fine cloth.

Frowning, Electra caught the attention of one of the footmen stationed at the bottom of the stairs, and called him up to her to ask, “Why, William, whoever is that?”

“Madame, they say it’s a foreign Duke, the son of the King of Armantia.”

“I see,” Electra dismissed the man and looked to me, her mild dove eyes vaguely troubled.  “Oh, dear.  A prince.”

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PodCastle 278: Nor the Moonlight

Show Notes

Rated R: Contains some Disturbing Imagery. It’s art!


Nor the Moonlight

by Andrew Penn Romine

I sat on a stool at the Café de Lune that last night in Paris, gulping _marc_ and sewing my right arm back together below the elbow with a needle and some of the last of the _fil vitalitié_. The surgical thread glimmered like quicksilver in the dim electrics of the café, and the bloody flaps of muscle and flesh of my severed arm knitted together as the healing magic did its work. Sensation returned to the tips of my fingers like the buzzing of bees, and I flexed them into a fist.

The robber had burst into my café waving his knife, surprising me as I locked up for the night. But he’d made the error of assuming I was just another veteran of the Great War, wrapped in a fisherman’s net of scars. He didn’t know I’d already died once before, that I had been raised from the charnel fields of Compiègne gifted with the heart of a bull and the sinewy limbs of dead men.

His body cooled in the cellar as rain sheeted the cobblestones. I traced the ancient gouges on the wooden counter, rubbing feeling back into my right hand. Chill wind rattled under the door, and I regretted the killing. Most of the desperate men loitering along the Rue Daguerre in the dark hours were afraid of me. This man must have been a recent refugee from the war-poisoned countryside.

A shadow appeared at the door, and for a moment I feared police. Tatters of the Central Commune’s authority still held sway within the city, although the horrors of the Great War had shattered the power of France’s People’s Republic. So much for Lenin’s promises of aid. France languished, and Paris with it.

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PodCastle 277: A Hollow Play

Show Notes

Rated R: Contains Cabaret, Roller Derby references, and F-bombs. Let’s dance!

Check out Tina’s upcoming novel Copperhead, the sequel to Ironskin!


A Hollow Play

by Amal El-Mohtar

Dear Paige,

So, I’m here, but Anna’s not , and I awesomely left Memoirs of a Space Woman at home in spite of knowing I’d have two hours to kill, so I figure I’ll just keep writing to you.

Cabaret! I have no idea what to expect. Have you ever been to a cabaret show? I wasn’t sure how to dress for it either—when I asked Anna she just laughed and told me to use my imagination—so I’m wearing the red top you gave me, the button-down one with the sleeves that flare out and curl from the elbows. I can’t believe I still have it—it’s been, what, ten years, three moves? It’s not fitting so great now—since I started taking derby more seriously (I’m EMILY THE SLAYER now! Strong like Buffy!) my arms have gotten huge, and you should see the butt on me—but it’s still pretty and I love it, and it still matches my favourite earrings best.

I should probably tell you more about Anna, since obviously there’s more to her than being trans and my co-worker. She’s really great, and really cute—she just cut her hair short last week and dyed it bright orange-red, so she looks kind of like Leeloo from The Fifth Element. She’s vegan(sometimes I swear she likes the fact that I’m not, because it gives her an excuse to play “Meat is Murder” on loop in the cafe for the duration of my lunch break, which no one notices, because it sounds like every other Smiths song except the good ones, which she refuses to accept no matter how many times I explain it), an amazing cosplayer, and getting into burlesque. She hasn’t performed in public yet, just for friends in her living room, but she’s been developing this number that involves a chef’s hat, mixed greens, and oversized serving implements.

We’re not dating or anything. I’ve only known her for about a month, though it feels like way longer—and I refuse to entertain a crush, because she’s been in a closed poly triad for a while and they’re kind of going through a rough patch that she hasn’t told me much about. So I’ll tell you more about this cabaret thing instead.