The Morthouse

by Maria Haskins

In her forty-two years on God’s wide Earth, Gerda has read no books other than The Bible and Luther’s Small Catechism, but once, after Sunday service, she heard the sexton say that there are places where the dead traverse a river after death, paying a boatsman to ferry them across the water. Gerda knows such a thing must be either blasphemy or fable, and she knows for certain the dead will find no passage here, not this far north in Sweden, not in January when both the creek and inlet by the village lie frozen, the murky, brackish waters of the Gulf of Bothnia slumbering below windswept ice.

Here, in winter, the dead go nowhere at all, not even into the ground. (Continue Reading…)

Yung Lich and the Dance of Death

By Alex Fox

My Christian name was Thomas Kanfor but ever since that bastard wizard rose me from the grave I go by Yung Lich. On that moonless night he spoke some words from a tattered grimoire over my naked, somewhat-recently-dead corpse and voila, here I am. He called me a “Young Lich”. When you’re newly risen you don’t remember much else (other than the maggots), so I took that as my new name. I changed “Young” to “Yung” because I think it reads a bit fresher, and when you’re trying to break into the hip-hop scene, you gotta be fresh (though my body is not).

People can’t tell I’m dead unless I remove the mask. They think it’s part of my act. I stand outside of Times Square with my whole getup — long, black, hooded cloak, a ghastly off-brand Scream mask, an old gnarled branch. I lean and spookily sway and try to hand out my mixtapes. I mean, shoot. If there’s one cool thing about being given a second chance it’s that you know what’s important and what’s not. I never had the gall to pursue a career in music while living. Nah. Wouldn’t pay the bills, wouldn’t make my mom proud. But now? I’m free to be me . . .

“Want my mixtape?” I wheeze in my dry-as-sawdust voice to a small group waiting for the crosswalk. I extend a robed arm, a white CD in my hand. Across the front is the Sharpie-scrawled label Yung Lich — The Dance of Death. They hardly look my way, and don’t seem to appreciate my pestering.

A man shoves my arm aside and fingers an earbud out of his ear. “Ain’t no one got CD players anymore, pal. Try Soundcloud.”

The crosswalk changes and the folk quickly scramble across the street. My arm falls, dejected. Even though in this “life” I can pursue my true interests, that doesn’t mean anyone is interested in what I have to say. Been standing here for weeks on end and only four people have taken my mixtape, and I think only to be nice, as I saw two of them toss the CDs in the garbage once they crossed.

And what that man said rings true: not that many people have CD players these days. Guess I’m slow to accept change, but I know I need to adapt if I want to get my music out there. I’ve got an old laptop. I can look into Soundcloud — it’s something to go on, at least.

I gather my things and hobble to the Corner Café. They know me there. They let me use the Wi-Fi even though I never buy coffee. I don’t need to eat or drink much, or at all, really — tends to leak out of my swiss-cheesed stomach.

A few people idle in the café, and they look up as I open the glass door, a small bell tinkering to announce my arrival. I keep my head down, my hands well within my long sleeves, even as I hold the obnoxiously tall wooden staff. The staff double-bangs the bell as I amble through, loud as a cymbal crash, and I shrink into myself.

“Sorry, sorry,” I mutter. Wooden chairs creak as the patrons turn to watch me, this weirdo in the horror getup. I try not to pay attention to them. I mosey on to my usual corner, sit, and pull out my laptop. Soon I’m forgotten, like all the other freaks of the city.

On my laptop screen glows a text file with the lyrics of my finest work, “The Dance of Death.” I read it once, twice. (Continue Reading…)

Mama uat-ur

By Z. K. Abraham

Pressing her forearms against the first-floor window’s metal frame, Temesghen watched aegean-blue waves splash against the concrete walls, searching for another flash of the being’s presence in the sea below. The stars were partially shrouded by the clouds; the sky was a milky greenish swirl like rotting leaves and tree sap, while the taste of sour algae and salt hung in the air. In the distance, several tall, concrete structures loomed: the Stacks, all that was left in a now-drowned world. Every Stack was the same inside as hers — at least, that’s what the overseers assured them. No way to tell for sure, since they weren’t allowed to sail or swim to the other buildings.

A flicker in the sea below: she perked up, but it was only a silverfish. The yellow beam of a flashlight danced over the waves. Temesghen dove to the ground, cursing herself for losing track of the time between patrols. The guards opened the windows above, searching for any illicit activity in the water, their torches passing over the windows of the lower level where she now hid, hoping she’d left no trace of her presence. A bloom of sweat drenched her chest under a loose tunic. Pushing down gurgling nausea, she leaned back against the gritty stone wall and crouched as still as possible. Wandering alone at night on the upper floors was considered trespassing, punishable by only a few months malnutrition and some light torture in the barracks, but those who went down to the forbidden lower floors were often never seen again. Her elderly parents were hard of hearing; she was able to sneak out without disturbing them. As long as she wasn’t caught by the patrols now, no one would ever find out about her desperate desires. (Continue Reading…)

In The Woods Somewhere (or Stories Never Leave)

by Victor Forna

Gods Slap Those Who Summon Them.

We shouldn’t have been there — but we were, hiding behind the kola-nut tree, peering into the silver night, parents worried over our empty beds back home, and that’s why we can tell you today, beside this fire, how the old god was summoned from underneath the earth. Pa Yamba, who had changed his name to Peter —

To Ruben.

Don’t interrupt me.

But we’re both telling the story.

Whatever. Pa Yamba, who had changed his name to Ruben, was the only one who opposed the invocation. “These things always go bad,” he said. Bai Masim, chief of traditions, gave Pa Yamba a reply: “We prayed to the god that those priests brought from their lands, we prayed to his son, we even used their shotguns. Has any of that helped us against these – these – what’s the word?” The catholic stayed quiet, blinking too many times. During his silence, we sighted Thara coming out of a nearby hut. Thara wasn’t even a —

You don’t know that. What does it even matter to the story? And, if she wasn’t a virgin, tell me, would her blood have accomplished the summoning? Tell what needs to be told, or I will take it from here.

You could never tell this story better than me. I only mentioned that so they’d understand why the god slapped Thara when he arose. Anyway, before all that, Thara walked naked, hugging herself to cover her breasts from the cold and the lustful eyes of the elders —

They didn’t look at her that way. Come on.

Whatever. The elders led Thara to a small, rectangular pit. Bai Masim showed her how she must stand over it: feet apart, and resting on the longer sides of the opening. Thara stood so for a while, then her blood, streaking down her legs, began dripping into the pit. One. Two. At the third drop, Bai Masim started chanting an uncanny tune, flinging his feet before him like a rabbit in want of freedom from a snare — (Continue Reading…)

The Consequences of Microwaving Styrofoam

by Leah Ning

We meet when we’re sixteen, and the Spark pops bright orange between us the moment our eyes meet. I don’t want to be friends with her. She’s strange and aloof and unkind. But the Spark is the Spark, and everyone saw it, so soon I’m alone. No one else wants to be friends with her either, so they draw away from me by association.

Now she’s the only one who’ll share a lunch table with me. We sit as far apart as possible, me with my sandwich dripping jelly onto the plastic bag I’ve placed carefully beneath it and her loudly slurping microwaved tomato soup from its Styrofoam bowl. I think about telling her she shouldn’t microwave it and don’t. Maybe if it kills her I won’t have to bother with her or that fucking Spark.

It occurs to me that maybe I, too, am strange and aloof and unkind. It also occurs to me that maybe she’s not the reason no one wants to be friends with me.

I search for ways to get rid of the Spark in incognito browser tabs, rubbing at wrists that weren’t sore before we Sparked. Google just brings up dry Wikipedia pages on the first appearances of the Spark fifty-seven-point-five years ago and chirpy blog posts by Spark-bonded best friends for life who just can’t get enough of spending time together. I pretend to gag even though I’m alone in my room and it’s 2 a.m.

Yeah, my Spark was definitely an excuse for my “friends” to get away from me. (Continue Reading…)