Makeisha has always been able to bend the fourth dimension, though no one believes her. She has been a soldier, a sheriff, a pilot, a prophet, a poet, a ninja, a nun, a conductor (of trains and symphonies), a cordwainer, a comedian, a carpetbagger, a troubadour, a queen, and a receptionist. She has shot arrows, guns, and cannons. She speaks an extinct Ethiopian dialect with a perfect accent. She knows a recipe for mead that is measured in aurochs horns, and with a katana, she is deadly.

Her jumps happen intermittently. She will be yanked from the present without warning, and live a whole lifetime in the past. When she dies, she returns right back to where she left, restored to a younger age. It usually happens when she is deep in conversation with her boss, or arguing with her mother-in-law, or during a book club meeting just when it is her turn to speak. One moment, Makeisha is firmly grounded in the timeline of her birth, and the next, she is elsewhere. Elsewhen.

Makeisha has seen the sun rise over prehistoric shores, where the ocean writhed with soft, slimy things that bore the promise of dung beetles, Archeopteryx, and Edgar Allan Poe. She has seen the sun set upon long-forgotten empires. When Makeisha skims a map of the continents, she sees a fractured Pangaea. She never knows where she will jump next, or how long she will stay, but she is never afraid. Makeisha has been doing this all her life.