Selected Program Notes From the Retrospective Exhibition of Theresa Rosenberg Latimer
by Kenneth Schneyer
34. Magda #4 (1989)
Oil on poplar wood, 30 x 21″
Sometimes called “Devotion” by critics, this nude the earliest extant work featuring Magda Ridley Meszaros (1963-2023), Latimer’s favorite model and later her wife. The lushness of the flesh and the rosiness of the skin are reminiscent of Renoir’s paintings of Aline Charigot (See, e.g., The Large Bathers (1887) (Fig. 8)). Latimer maintains microscopic hyperrealism even as she employs radiating brushstrokes which emanate from the model, as if Meszaros is the source of reality itself.
a. The materials and dimensions of this painting duplicate those of Da Vinci’s La Gioconda (c. 1503-1519) (Fig. 17). Is this merely a compositional joke or homage by Latimer? How does it change the way you see the painting?
b. Most biographers agree that Latimer and Meszaros were already lovers by the time this work was completed. Is this apparent from the composition or technique? From the pose of the model? As you proceed through the exhibit, note similarities and differences between this and other portrayals of Meszaros over the next 34 years.
About the Author
In 2014 Kenneth was nominated for the Nebula Award, and was a finalist for the Sturgeon Memorial Award, for his story ‘Selected Program Notes from the Retrospective Exhibition of Theresa Rosenberg Latimer,’ which appeared on Podcastle. His first collection, The Law & the Heart, was released by Stillpoint Digital Press last year, and his stories also appear in Analog, Strange Horizons, Beneath Ceaseless Skies, Clockwork Phoenix 3 & 4, Daily Science Fiction, and elsewhere. Ken teaches business law and science fiction literature in Rhode Island. You can find him on Twitter, Facebook, and Livejournal.
About the Narrator
Peter Wood has been audio producer for PodCastle since the winter of 2009, with his first episode being PC 82, “The Twa Corbies” by Marie Brennan. In addition, he has hosted and narrated several stories over the years. In 2016 he received a Ph.D. in Theatre and Performance Studies from the University of Pittsburgh and is currently on the academic job market. He also does design work, both web and print, under the moniker of PW Design. More information about him can be found at PeterCWood.com.