By Gord Sellar
Read by C. G. Furst.
Introduction by Rachel Swirsky.
First appeared in Fantasy Magazine, 2008 (full text at link).
The smoke in my longhouse swirled thick, thicker still around their strange faces. They sat all around me on brightly-colored mats and frowned, wrinkled their big noses as they tried to speak our language. I offered them bone spoons and cedar plates loaded with salmon and seal oil and nuts and blackberries.
“We’ve brought many gifts,” they said, our words heavy like stones on their tongues. They opened the bags, and set down handfuls of colorful round beads, hard axes, pouches bursting with long-traveled pemmican, braided sweetgrass, and tobacco. They set these things down before me, and then one of them—their chief—stared across the fire at my eldest daughter.
They gave me so much that I couldn’t refuse their unsaid request. Pahwakhe wept and shivered when I offered her to them. Her sisters and mother beat their breastbones and cried, but what could I do? They could have stolen her away, or stolen all of them, if they wanted. I had no choice. So we married her to their young chief. Our women sang mourning songs as young men danced, feathers swirling in firelight as drums pounded in darkness.
Rated PG. Contains spirits, violins, dusty bones, and an old man’s regret.
Why PodCaslte miniatures? According to wikipedia, the word miniature is derived from the Latin minium, red lead, and is a picture in an ancient or medieval illuminated manuscript. We thought it was a good way to describe very short stories with a fantasy theme: a word that indicates brievity, manuscripts, and a medieval atmosphere.