PC004: Goosegirl


Goosegirl

by Margaret Ronald

“You came with the Princess Alia, didn’t you?” says a tall man with an understeward’s chain. “They must have low standards up north if you’re the sort of thing she brings along.”

I shake my head; the world slides in and out of focus. “I didn’t come here for that. I’m not — help.”

He raises his eyebrows. “Oh, so you’re not with the help? You must be one of the nobility, then?” He tweaks my skirts, and a ragged hem tears. “So what did you come here for, if you’re not with the princess?”

The words sound wrong even as I think them, but I say them nonetheless. “To be married.”

He bursts out laughing. “Poor girl,” a woman at the back of the servants’ hall says. “She’s simple. Can’t tell between herself and the princess.”

PodCastle Miniature 002: Giant

Show Notes

Rated G. Contains a heart, once carefully hidden.

Why PodCastle miniatures? According to wikipedia, the word miniature is derived from the Latin minium, red lead, and is a picture in an ancient or medieval illuminated manuscript. We thought it was a good way to describe very short stories with a fantasy theme: a word that indicates brevity, manuscripts, and a medieval atmosphere.


A few words on “Giant,” from Associate Editor Ann Leckie:

Today’s story is a riff on the classic trope of The Giant Who Had No Heart which you can take a gander at on wikipedia, if you happen to be unfamiliar.

Nearly every culture has fairy tales, and many of them are strikingly similar to tales told by other, very distant peoples.  That may be the long process of transmission between different groups, stories passed along in a game of telephone thousands of years long, or it may be that fairy tales spring from, and engage, something basic in human psychology. It’s hard to say, really.

The tales themselves are stripped down, very concise and economical. Close-in examination of a character’s psyche, or even more than rudimentary character development, doesn’t exist in fairy tales. Even in stories with little or no magic, strange things happen with no obvious reasons, let alone explanation. We may hear of beautiful maidens, perhaps even with hair of ebony or flax, shining dresses of gold or silver, mountains of glass–but without much in the way of detail.

And good and evil are clearly marked. We know which is which–one sister speaks, and jewels fall out of her mouth. The other utters toads. There are no qualifications, no mitigating circumstances, no shades of gray. It’s all very straightforward.

Today’s story is “Giant” by Stephanie Burgis. It plays on a tale that’s very popular, one that, like most fairy tales, has plenty of variants. It’s the story of the ogre who’s hidden his heart–or sometimes his soul–in an unlikely and hard to reach place. His vulnerability is in an iron box at the bottom of the sea. Or in an egg in the mouth of a fish inside a crow that came from a deer. Or else he can only be killed in very specific, very unlikely circumstances. But once the secret is known, he’s vulnerable.

What does it mean to have to hide one’s heart? To never be able to trust anyone — even one’s own beloved — with the secrets of one’s own existence? To always have to protect your heart from those closest to you within the egg, inside the crow that came from the deer?

But, of course, since we’re talking fairy tales, the ogre must be evil. Surely. Surely, he must deserve his fate.


Giant

by Stephanie Burgis

I’ve hidden my heart in an egg, in a box, in a well at the end of the world. My father taught me that trick a long time ago.

If I’d kept my heart, I would be in trouble now. This princess is too beautiful.

 

PC003: Run of the Fiery Horse

Show Notes

The Angry Black Woman – A blog on Politics, Race, Gender, Sexuality, Anger


Run of the Fiery Horse

by Hilary Moon Murphy

His tongue flickered out, sniffing the river of dreams that swirled around him. He had studied humans long enough to be a connoisseur of their flavors: those born in the year of the Wooden Ox tasted faintly of wheat and nuts, Metal Pigs had the aroma of tart berries, and Water Dragons reminded him of the salty wines of Nippon. But the taste he sought remained elusive.

Then he found it: hot, almost peppery, with an underlying sweetness. Tsi Sha closed his eyes and hissed with pleasure. A female of the Fiery Horse, the rarest of flavors. Few of the girl children born in that year had lived past their first night. Tsi Sha had found them abandoned on country hillsides and city rubbish heaps as families rid themselves of their inauspicious newborn daughters.

They had tasted delicious.

PC002: For Fear of Dragons

Show Notes

Contains enormous webbed wings, sharp fangs, and a hide of glistening scales.


For Fear of Dragons

By Carrie Vaughn

The year came when soldiers rode to Jeanette’s family’s holding. Their captain announced that from the sea to the mountains, Jeanette was the only woman over the age of ten known to be a virgin. Only one possible name could be drawn in the lottery.

Jeanette’s mother sobbed, and the soldiers had to tie her father to keep him from doing violence. They held her three brothers off with crossbows. Her family had urged her time and again to marry someone, anyone, a young whelp, an old widower on his deathbed. They had even begged her to find a likely boy to love her for a night and give her a child. But Jeanette had refused, because she knew that this day would come, that one day she would be chosen, and she knew her destiny. Before the soldiers led her away, Jeanette held her mother’s face in her hands. “It’s all right. I have a plan, I know what to do.”